Sunday 30 November 2014

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Private Berlin

  • Published on: 1700
  • Binding: Mass Market Paperback

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Tuesday 25 November 2014

[V814.Ebook] Download PDF The Religious History of America: The Heart of the American Story from Colonial Times to Today, by Edwin S. Gaustad, Leigh Schmidt

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The Religious History of America: The Heart of the American Story from Colonial Times to Today, by Edwin S. Gaustad, Leigh Schmidt

A Dynamic Account of Religion's Central Role in American History

  • Sales Rank: #56911 in Books
  • Published on: 2004-07-06
  • Released on: 2004-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.16" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 464 pages

From Library Journal
Since the first edition was published in 1966, this work has remained a standard text for American religious history. The 2002 revision, by Gaustad (history, emeritus, Univ. of California, Riverside) and Schmidt (religion, Princeton Univ.), retains the core material with a revised chapter structure, updated bibliographies, and some text revisions. In some cases, the revisions are simply rearrangements of chapter sections, while in others there is a shift in terminology e.g., using "African American" for "black" and replacing "American religion" with the more clearly designated "American Protestantism." While such changes are subtle, they do alter the tone of the work, bringing it more in line with current approaches to the study of religion and American culture. In the case of the last three chapters, the authors have done considerable revision and brought the history up to the turn of the century. The overall result is a well-balanced enhancement of an excellent work. Recommended for all libraries. Jan Blodgett, Davidson Coll. Lib., NC
Copyright 2002 Reed Business Information, Inc.

Review
“How wonderful that Gaustad will become the indispensable 21st century tool for the students of American religion.” (Peter J. Gomes, author of The Good Life)

“... more comprehensive, more illuminating, and more up-to-date in this new edition with Leigh E. Schmidt.” (Mark A. Noll, Professor of History, Wheaton College)

“A comprehensive, graceful narrative that truly represents the pluralism, momentum, and vitality of American religious life.” (Amanda Porterfield, Professor of History, University of Wyoming)

“An immensely valuable resource ... adds texture and nuance to avery complicated story, making a classic textbook even better.” (Gary Laderman, Associate Professor of American Religious History and Cultures, Emory University)

“Stands among the very best of the American religious histories.” (Dr. E. Brooks Holifield, Charles Howard Candler Professor, Emory University)

“A well-balanced enhancement of an excellent work...recommended.” (Library Journal)

From the Publisher
A thoroughly researched, profusely illustrated, and fully updated edition of this major history of religion in America.

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17 of 17 people found the following review helpful.
A Great Overview
By M. A. Ramos
This revision of 'The Religious History of America' by Gaustad and Schmidt is a wonderful and balanced overview of the religious history of the U.S.A., as the title claims. The first review here is very through so I will be brief. These two professors of religion discuss the cultural, political, and economic influences that helped shaped religion in America throughout its history.

The book starts with the state of Native American religions before the first colonist set foot on the land. And then properly shows that the first colonies were Catholic and established by Spain and Portugal. The oldest city in the U.S.A. is the Spanish Settlement of Saint Augustine in Florida. It also covers the early expeditions of the French in both the north and south regions of North America. It was only later that the Anglican and English settlements that we learn about in our history textbooks started to form in what we would later call the thirteen colonies.

The book then covers topics that include the Puritans in New England, separation of church and state, slavery, the growth of the church in the twentieth century, and the effect that war has on religion. You will read of how the growth of such a great diversity of religion came to be in the U.S.A. This is a very interesting read. This book also has an extensive bibliography for further reading and a good index. This is the book I would choose if I had to teach an introductory course in religious history in America.

8 of 8 people found the following review helpful.
helpful resource for the student of American religious history
By Wayne S. Walker
Several years ago I purchased a couple of volumes on American religious history to help in preparing lessons or classes on the history of religion in the United States to be included in a series about church history. Compared to Sydney E. Ahlstrom's A Religious History of the American People, Gaustad's work, of which I have the original edition, is not quite as detailed, is filled with illustrations to make it more eye appealing, and while it was probably also intended as a college textbook is written in a more popular than strictly academic style. The 24 chapters are grouped into five parts. Part I covers the Age of Exploration, Part II the Age of Colonization, Part III the Age of Expansion, Part IV This Nation Under God; At Worship, and Part V This Nation Under God: At Work. The book starts with the first Catholic colonies established by Spain, Portugal, and France; moves on to the Anglican and English settlements; then covers topics that include the Puritans in New England, separation of church and state, slavery, the growth of the church in the twentieth century, and the effect that war has on rel
Author Edwin Scott Gaustad, who was a Professor of History at the University of California, Riverside, and also wrote the Historical Atlas of Religion in America, said in his Preface, "Since the purpose of this book is to describe the role of religion in American life, national history more than denominational history is pursued." Like Ahlstrom's book, one would not expect the subject to be covered from a conservative standpoint, but Gaustad does approach it with more of a traditional view than a purely sociological one. It is a helpful resource for the student of American religious history. A Revised edition entitled The Religious History of America: The Heart of the American Story from Colonial Times to Today edited by Leigh E. Schmidt, one of Gaustad's students, was published in 2002. It retains the core material with a revised chapter structure which replaces the five distinct ages of the previous editions with a four primary time-periods: the Colonial times; the Revolutionary War to the Civil War; Post Civil War to World War II; and World War II to the present, more explicit emphasis on specific historical markers that carry the multifaceted story of religion in the United States into the twenty-first century, updated bibliographies, and some text revisions.

22 of 28 people found the following review helpful.
Good overview but . . .
By Yodergrrr
This book gives a good overview of the Religious history of America during most of the book but it begins to falter near the end. The authors completely leave out the Jesus Movement of the late 1960s and early 1970s. As the authro writes about more recent events, a bias seems to creap in. The activities of the religious left have a tone of approval while the activites of the religious right are written with a tone of disapproval.

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Saturday 22 November 2014

[I182.Ebook] Ebook Free Applied Hydro and Aeromechanics Based on Lectures of L. Prandtl, by O. G. Tietjens

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Applied Hydro and Aeromechanics Based on Lectures of L. Prandtl [Hardcover] [Jan 01, 1934] Tietjens, O. G., Den Hartog, J. P., L. Prandtl

  • Sales Rank: #4167597 in Books
  • Published on: 1934-01-01
  • Number of items: 1
  • Binding: Hardcover

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Only Way To Stop Smoking Permanently (Penguin Health Care & Fitness), by Allen Carr

This is a companion volume to "Allen Carr's Easy Way to Stop Smoking".

  • Sales Rank: #601322 in Books
  • Brand: Brand: Penguin
  • Published on: 2000-02-08
  • Released on: 2000-02-08
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x 1.14" w x 5.08" l, .74 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Great product!

About the Author
The common thread running through Allen Carr's work is the removal of fear - eliminating the phobias and anxieties which prevent people from being able to enjoy life to the full. Allen Carr's books include; Allen Carr's Easy Way to Stop Smoking, The Only Way to Stop Smoking Permanently, Allen Carr's Easyweigh to Lose Weight, How to Stop Your Child Smoking and The Easy Way to Enjoy Flying. A successful accountant, Allen Carr's hundred-cigarettes-a-day addiction was driving him to despair until, in 1983, after countless failed attempts to quit, he finally discovered what the world had been waiting for - the Easy Way to Stop Smoking. He has built a network of clinics that span the globe and gained a phenomenal reputation for success in helping smokers to quit. His books are published in over twenty languages and video, audio and CD ROM versions of his method are also available. Allen Carr died aged 72 in 2006.

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32 of 32 people found the following review helpful.
Way better than.the normal easyway book
By M. Riddell
I actually bought both books :-)

The easyway one and the onlyway one.

The onlyway is quite a bit longer and more of a narrative style.

For some reason the onlyway got through to me whereas the easyway book didn't.

Bear in mind that both books are about the easyway to stop smoking.

I'm now a happy (seriously) non smoker. Really this is totally different to trying to give up cigarettes using willpower.

If you have a rational mind you will appreciate his methods :-)

19 of 19 people found the following review helpful.
10 years 0 smokes
By It worked
Yeah it worked, and the important thing, which people seem to miss, is not the "smoking is bad for you" message (which he largely ignores), but the fact that he wants you to smoke while reading it. No risk smoke-lovers, keep smoking. I smoked more in my last week of reading this book than ever before, then I quit, no problem, never a craving. Done. Not a bad read either. 10 years as a non-smoker and counting

10 of 11 people found the following review helpful.
It really works!
By Kevin Deck
I bought this book on the recomendation from a friend. I was about 1/4 way through it when my girlfriend decided to start reading it. she finished it in a day and a half, and instantly proclaimed herself a non-smoker. I read it over the course of a week, but I, too, quit after reading it. It's basically a brain washing motivational type book. It reiterates how awful smoking is, what it does to you, how much it smells, how bad it tastes, etc... Whatever you want to call it, the fact is we both quit after reading it.

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Thursday 20 November 2014

[G167.Ebook] Free PDF The Erotics of Corruption: Law, Scandal, and Political Perversion, by Ruth A Miller

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The Erotics of Corruption: Law, Scandal, and Political Perversion, by Ruth A Miller

In this provocative retelling of the story of political corruption in the modern period, Ruth A. Miller argues that narratives of political corruption rely upon an explicitly pornographic rhetoric and have been instrumental in carving out lawless or exceptional space. Drawing upon an extensive and wide-ranging literature, she examines corruption, the erotic, and legal exceptionalism as they appear in media representations of Saddam Hussein as corrupt leader, nineteenth-century political cartoons, Pier Pasolini s film Salo, Ernst Kantorowicz s theorization of the body politic, Giorgio Agamben s analysis of biopolitics, and Achille Mbembe s discussion of the postcolony. Miller comments on both the erotic nature of the state of exception and colonial or postcolonial manifestations of it, and presents a new voice in ongoing conversations about law, violence, and sexuality in the contemporary world."

  • Sales Rank: #8264793 in Books
  • Published on: 2008-06-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.03" h x .86" w x 6.34" l, 1.05 pounds
  • Binding: Hardcover
  • 214 pages

Review
recommended for professionals working on issues of corruption and eroticism. CHOICE
This beautifully conceived, well-researched book provides a fresh and unique look at the timely topic of corruption. As such, it departs markedly from the current literature. It is rare that one takes a journey into not only areas previously unconsidered but also areas largely unimagined. The subfield of corruption has always struggled with basic concepts, and The Erotics of Corruption plays with that problematic in a totally different way, first by employing discourse analysis, and, second, by situating the narrative within a larger context. Scholars will greatly benefit from the book s insights and fresh perspective, and it will force them to think more critically about their own approaches. Stephen D. Morris, author of Gringolandia: Mexican Identity and Perceptions of the United States"

From the Back Cover
In this provocative retelling of the story of political corruption in the modern period, Ruth A. Miller argues that narratives of political corruption rely upon an explicitly pornographic rhetoric and have been instrumental in carving out lawless or exceptional space. Drawing upon an extensive and wide-ranging literature, she examines corruption, the erotic, and legal exceptionalism as they appear in media representations of Saddam Hussein as "corrupt leader," nineteenth-century political cartoons, Pier Pasolini's film Salo, Ernst Kantorowicz's theorization of the body politic, Giorgio Agamben's analysis of biopolitics, and Achille Mbembe's discussion of the postcolony. Miller comments on both the erotic nature of the state of exception and colonial or postcolonial manifestations of it, and presents a new voice in ongoing conversations about law, violence, and sexuality in the contemporary world.

"This beautifully conceived, well-researched book provides a fresh and unique look at the timely topic of corruption. As such, it departs markedly from the current literature. It is rare that one takes a journey into not only areas previously unconsidered but also areas largely unimagined. The subfield of corruption has always struggled with basic concepts, and The Erotics of Corruption plays with that problematic in a totally different way, first by employing discourse analysis, and, second, by situating the narrative within a larger context. Scholars will greatly benefit from the book's insights and fresh perspective, and it will force them to think more critically about their own approaches." -- Stephen D. Morris, author of Gringolandia: Mexican Identity and Perceptions of the United States

About the Author

Ruth A. Miller is Assistant Professor of History at the University of Massachusetts at Boston. She is the author of The Limits of Bodily Integrity: Abortion, Adultery, and Rape Legislation in Comparative Perspective and Legislating Authority: Sin and Crime in the Ottoman Empire and Turkey.

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0 of 3 people found the following review helpful.
Reflections of a sick society
By smithy
The mixture of power and sex is the subject of Ruth A. Miller's The Erotics of Corruption. Miller's central thesis is that "[t]he very vocabulary of the `anti-corruption struggle' is itself pornographic--creating a space in which lawless chaos and sexual chaos are one and the same thing" (viii). The very essence of corruption, its inherent disorder, has become sexual and sexually threatening. Drawing on the work of Giorgio Agamben, Achille Mbembe, Linda Williams, and Michel Foucault, the argument is that the forces of rectitude and responsibility are themselves structured by the Other they would expel. This has a geopolitical aspect for whereas in Western Europe and North America news of political, bureaucratic or financial deviance is classified as a scandal, "[t]he corruption narrative in the African, Asian, or South American context is thus one in which the apparent failure of governments and functionaries to distinguish between public and private takes on far more complex connotations" (x). Miller argues that the hyperbolic rhetoric of liberalism locates "a threat originating within and exploding out of colonized areas" (x), as a threat from outside of the law, turning colonies and postcolonies into settings in which the desires of those at the imperial centre can be played out. "The corruption narrative as a modern phenomenon is thus necessarily also a colonial one, developed within imperial structures and referencing unique, post-eighteenth-century imperial truths." (x) Jungles of corruption, nepotism, and temptation--thrive in the colonies where indigenous perversion reclaims the ruins of European contact. In other words, Miller argues that the organs of the liberal state that suffer and detect corruption look to some outside to account for the internal decay.
The Erotics of Corruption opens with one of the founding moments of modern democracy: the 1793 trial of Marie Antoinette who was charged with nymphomania, paedophilia, and incest. In this spectacle lack of political legitimacy is articulated with illegitimate sexual practice. "By 1793 already, that is, the rational, progressive, liberal state was demanding an irrational, disordered, and erotic narrative of corruption to support it." (2) The metaphors of state-as-family and state-as-body are integral to this political, legal, sexual, and biological complex. But it is only in the colonized space of the Boxer Rebellion of 1900 that political corruption, infantilism, and sexuality come together. British reports cast the rebels, "'tigers who have tasted human blood'", as "'children of the [Chinese] government's own raising'" (14). The claim that the poor and the weak, mostly women and children, face the true brunt of corruption can flow seamlessly into the transformation of the victim into the victimizer, sinking into promiscuity and opportunism, with no faith in justice or morality. In this cycle, compassion blossoms into blame.
Noting that confession plays a key role in both political scandals and pornographic narratives, Miller concludes that "the corruption narrative situates the corrupt state within pornographic space--rendering it indefinable except through our biological, irrational, and sexual responses to it" (25). This follows from a comparison of striptease and the public investigation of political corruption, in this case the early 1990s scandal around Bettino Craxi's administration that threatened to delegitimise Italy's political class. The performance of disclosure and concealment, transparency and obfuscation, outer and inner, the whole exhibitionist semiosis of submission and degradation, seals the affinity between the corruption and eroticism. Race also enters into this cauldron.
From the racist stereotyping of the irresponsible and inadequate poor black father in the US to the corrupt African leader, epitomised by Nigeria's Sani Abacha, the figure of the anti-social, incestuous-patrimonial African Other carries both familial and national corruption. Somali warlords join this cast of irresponsible fathers who defy rational constraint with a rapacity that is at once self-defeating and self-agrandizing. Weak and diseased bodies, dysfunctional families, and states infected with corruption are their legacy. Impotence is their potency, and the strangulatory tentacles of cannibalistic corruption inhabit an ocean of poverty and suffering. But where the pornographic and the political intersect, there too lies pleasure. See for yourself; go watch the mutilation and execution of former president of Liberia, Samuel Doe at the hands of `rebel' leader' Prince Johnson on Internet porn sites; or the execution of Saddam Hussein al-Majid, part of a long line of (duplicateable) despotic sultans, and victim of childhood humiliations turned abuser. The physicality of corrupt leaders testifies to their mundane humanity and their monstrousness since their end is of their own making. "Every element of Saddam Hussein's personality--including the rhetorical arena in which it was constructed and produced for public consumption--places him into a legally defined exceptional space." (85) Over-grown and uncanny children who foist their infantile complexes on to the nation, they are both shameful and guilty.
Remember Saddam Hussein's capture in late 2003? Oprah Winfrey told us that Saddam's favourite film is The Godfather, and Miller recalls CNN anchor man Wolf Blitzer's comment on the footage of a bearded Saddam Hussein's physical examination. In Blitzer's remarks on the sight of the tongue depressor going into Saddam's mouth Miller sees the configuration of the corrupt leader as celebrity or pornstar:

"Why should Blitzer find the tongue depressor moment so worthy of exegesis, why should the tongue depressor moment be reproduced so frequently in the weeks that followed--rivaled only by the footage of Saddam Hussein being shaved. The basic answer, clearly, is that the tongue depressor entering the leader's mouth produces the money shot in the corruption narrative. Quite literally, the orifice of the now powerless leader, surrounded--as Blitzer notes--with hair, is being penetrated with superior force. There is nothing metaphorical here [...] the triumph of the law over corruption occurs at the precise moment that liberal, rational structures penetrate open, and expose the corrupt leader's sexualized interiority." (86)

Students of Linda Williams will know that "the penetration of his orifices" (87) does not amount to a money shot. A money shot refers to ejaculation, heroic spurts, on a body, emblematically a facial, rather than penetration. The exposure of the corrupt leader's sexualized interior may be the metaphorical money shot of the politico-moral fantasia, but it is still a medical examination. The point, of course, is that this disjecta membra of the monstrously pathetic Other was televised and transmitted around the world to demonstrate the corrupt leader's debasement and necessary treatment.
The Erotics of Corruption drives on to establish linkages between narratives of corruption and narratives of totalitarianism. Whereas noncorrupt/liberal bureaucracy dehumanizes via law, corrupt/totalitarian bureaucracy dehumanizes via blood or biology:

"Unlike noncorrupt, liberal systems that brutalize and dehumanize via containment in a passport photo or a marriage license, corrupt, totalitarian systems situate the political within what Bataille has called the "obscenity" of the naked, undifferentiated body." (108)

Miller draws on the Marquis de Sade's adumbration of totalitarianism (or rather elements of Bataille and Agamben's interpretations of Sade), and Mbembe's questionable theorisation of the postcolony as a distinctive regime of violence: "the postcolony here is simultaneously disordered but overregulated, nonsensical but relentlessly logical, and above all sexual--but sexual for purely political reasons" (108). In the postcolony violence is privatized, and the state is subjected to the self-interest of those representing the general interest. Miller takes the odd insight from various theorists with no regard for the overall argument of each, and obligingly omits any critical scrutiny of the theorists she invokes. For example, the often noted limitations of Mbembe's analysis, principally his caricature of a Marxist theoretical tradition defined by economic reductionism, escapes consideration. Knowledge of the details of various arguments must stand aside for the flow of information, which comes thick and fast.
Passolini's Salo and reports of brigandage in Morocco, Venezuela, Puerto Rico, Turkey and the Philippines are read in terms of the overlap between these supposedly separate realms, one that is all too often ignored by anti-corruption advocates. For the latter, to be an outlaw is to be beyond humanity, a danger to oneself and to other, and this is same whatever the context. This distinction works well for the imposition of colonial law but, Miller argues, a limit is reached when the attempt to regulate, remedy or control this lawless zone and its inhabitants contaminates the representatives of the law who themselves become lawless and inhumane in their methods. Lawless violence corrupts the civilized; lawful civilization is structured by lawless violence. Witness the revelations of the U.S. torturers of the Abu Gharaib prison, the picture of the pyramid of naked detainees, and the admission of the routine use of torture (enhanced interrogation techniques) in defence of justice. The contaminant of violence spreads--like bribery or miscegenation--and Miller concludes:

"I would also like to argue, however, that Abu Gharaib and the [new] Iraqi constitution are far more closely related than simply in their origin in colonial occupation. The two were part and parcel of an identical process, serving the same purpose, performing for the benefit of both political and consumer culture [...] in other words, the naked pyramid, in the process of removing the slightest physical or biological differentiation among individual bodies, likewise set the groundwork for the creation of an equally uniform political, legal, and "cultural" identity." (151)

In this drama the humanitarian saves the day by pointing to the inner corruption of wide-spread, officially sanctioned torture of suspected terrorists, thereby safeguarding the liberal state where such torture must not happen.

"It was the existence of the corrupt system, therefore, the delineation of exceptional space, and the physical dehumanization wrought by the torturing interrogator within this space, that made possible the noncorrupt, legally defined, political dehumanization wrought by the humanitarian legal scholar." (151-2)

Along with the humanitarian, the state (liberal or otherwise) is the culprit for it is by definition alienated from its ideal nature as a source of unity and justice. This antagonism is constitutive of how power works, spawning the obscene and tragic burlesque of contemporary history. The ground of reason is irrationality, the ground of order is disorder; corruption is the condition of possibility of noncorruption. The abyss between ought and is perpetually filled in and evacuated with the ruins of its own dreams:

"Even as the corrupt system and the totalitarian system come together in opposition to the noncorrupt and liberal system, that is in our heart of hearts what we apparently want is the former. [sic] And it is here that the role of the bandit bureaucrat, reanimated corpse, miscegenated monster, and sexually confused naked body that populate the corrupt system come together. These dehumainized "things" are not just symbolic of the horrors that happen in a system built on biology rather than law. They are concrete, they are erotic, and they are desirable even as they horrify." (153)

These stock figures "hold out the possibility of an affiliation and dehumanization [...] they embody what the law-based, noncorrupt, not totalitarian nation state is trying and failing to produce--a corrupt/noncorrupt space in which the naked pyramid and the constitution can and do perform the same task" (153).Miller's portrait of the state's complicity with what it condemns or represses recalls Lacan's portrait of the sadistic liberalism of the super-ego of the categorical imperative that takes pleasure in the duty/pain it produces. Indeed Lacan's analysis of the Law as repressed desire, and the pleasure principle and the determination of objects could have been drawn upon by Miller to think through the dynamic of (non)corruption and the twisting of inside and outside. No less relevant are Lacan's comments on the Marquis de Sade's human pyramids. Despite these omissions the weakness of Miller's argument lies elsewhere.
It is indisputable that humanitarian/liberal condemnation of abuse/exploitation must show or exhibit what it condemns in order to validate its criticism. Representation is evidentiary and always potentially voyeuristic, although the modalities of showing and exhibiting need to be distinguished. However, equating totalitarian dehumanization with representation as categorization--"noncorrupt, liberal systems that brutalize and dehumanize via containment in a passport photo or a marriage license" (108)--dissipates the criticism in hyperbole. Just as a logical relation is not the same as a causal relation, so too is sameness not identity. The essentialization of representation as dehumanizing is already stamped with the ideological complicity it would condemn, swallowing differences and distinctions.
This slippage is part of a general tendency in The Erotics of Corruption to run together of conditions of possibility and causality. That corruption is implied in the idea of noncorruption, as the irrational is implied in the idea of reason and disorder in the idea of disorder, does not mean that noncorruption produces corruption. Inverting the priority to mean that corruption produces noncorruption merely discloses the banality of its reassurance. That the spectacle of corruption and perversion reinforces and undermines the forces of anti-corruption does not mean that the desire for noncorrruption has caused the corruption. While the spectacle of corruption certainly serves to validate the legitimacy of the centre of non-corruption, it is not an effect of that centre.
In Hegelese, what is missing in this analysis is attention to the dynamic between the in itself and for itself of (non)corruption; what it is in itself and its appearance, and the intertwining of these aspects. The mediatized spectacle may be produced, and its content be determined, by that centre. But that centre is not the material cause of what is represented. Neither are the pathological interests of the state the reasons for which a thing exists, its final cause. That it appears as such is precisely the ruse of ideology, and we should resist being taken in by either the aura of power or the suspicion of powerlessness. Either path risks elevating a structural necessity into fate. Without attention to the relays and circuits of representation we risk confirming the very blindness and faith that are the object of investigation, taking appearance for actuality.
Miller is unable to draw the obvious conclusion from her catalogue of the involvement of liberal/democratic states in authoritarian scapegoating. What if, as Slavoj Zizek has suggested, authoritarian capitalism does not need democracy or social justice, does not care about individualism or respect, and cares even less about the detail of critical intellectual analysis? For the moment at least, this scene makes a space for the critical spectator. It is an amenability that should cause concern and provoke self-reflective questioning. Without this moment, critical analysis becomes curiously self-negating and merges with the moralizing discourse from which it would take its distance. The breviary of corruption provided by The Erotics of Corruption falls short of the vital critical task it sets itself.
University of Fort Hare
South Africa

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Saturday 15 November 2014

[Q316.Ebook] Download PDF Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King

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Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King

Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King



Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King

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Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King

...Exclusive Book-Of-The-Month-Club anthology of hard to find non-fiction pieces, little known interviews, short stories, and articles about writing for those looking for direction on how to find their own "windows" - or for anyone wishing to be touched by Stephen King's humor and wisdom...'Included in this collection are unpublished early fiction( very early; King was 12 when he wrote "Jumper" and"Rush Call"; a pre-Carrie article with tips for selling stories to men's magazines ("The Horror Writer and the Ten Bears: A True Story"); advice to his son on writing ( with the look-twice title "Great Hookers I Have Known"); recommendations to teen readers in a 'Seventeen' article ("What Stephen King Does For Love"); a long chapter from his wonderful treatise on the horror genre ("Horror Fiction" from Danse Macabre); and even a first-time-in-print short story,"In The Deathroom"(just for fun).

  • Sales Rank: #154549 in Books
  • Published on: 2000
  • Binding: Hardcover
  • 433 pages

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41 of 42 people found the following review helpful.
Pretty Near Perfect Complement to On Writing
By paul mason
Someone once said, I think it was in fact King himself, with his sense of irony polished that he could write a grocery list and it would be a bestseller. The fact of the matter is King's writing is honest as Straub says in an elegant introduction, which is what inspires legions of fans to want to read everything available that he has written be it fiction or non-fiction.

SECRET WINDOWS is set up as a book of the month club companion piece to King's bestselling memoir/how-to guide ON WRITING. Apart from a very heartfelt ode in the introduction by King's fellow master of horror and collaborator Straub it contains various essays and short works of fiction dedicated to the art of writing. The dates of the pieces in the collection range from when Stephen was a wee lad of 12 writing for his brother's paper to the time of publication. There are some well known pieces, such as short stories that have later been published in his Everything's Eventual anthology, and an excerpt from his other well-known non-fiction piece Danse Macabre to some real hidden gems that have never been published before. One of these gems is a short talk/essay on banned books. Another is great opening lines that are favourite of King's.

In Secret Windows, just like in his fiction King's integrity shines through; he claims not to be the best novelist around even if he sells better than some but always promises to deliver the best story he knows how to write. His humour is evident in these pages even when it is self-deprecating and as a reader his same conversational tone that soaks his other works is present here as well. Danse Macabre was not the perfect book, On Writing is not the perfect book and no even Secret Windows is not the perfect book but it is darn close especially when read in conjunction with On Writing.

5 of 5 people found the following review helpful.
The Mostly Unknown Stephen King Non-Fiction Collection
By J. Hill
Secret Windows is a companion book to On Writing released by Book-of-the-Month Club, a 430-page collection of all sorts of Stephen King items, from essays, to interviews, to anthology introductions, and even including a previously unpublished short story. An important fact to know before purchasing is that over half of the material in the book can be found in other works dedicated King fans will already have on their shelves. It has about 200 pages of tough-to-find or unpublished work, and the rest comes from Danse Macabre, Night Shift, and Everything's Eventual. Danse Macabre, in fact, is featured with a 160-page "excerpt" (now that's stretching the term to its limits), but the interesting quality here is in how these pieces are presented. Reading them in a collection ties them together thematically and provides an overall view of King's conscious approach, as well as the subconscious underpinnings, to his writing. I'd be hard-pressed to find a reason why people who enjoyed On Writing wouldn't also be impressed with Secret Windows.

Highlights for me include the stories King wrote for his brother's newspaper, Dave's Rag, in 1959-60, complete with a copy of the original December 29, 1959 edition's cover page; the "Ten Bears" article from Writer's Digest, 1973, explaining some of the basics of horror writing; the brief "How IT Happened," from '86 describing what inspired King to write It; and an excellent lecture on book-banning to the Virginia Beach Public Library in 1986, among others. This is a unique collection that I think a majority of King fans would appreciate if they knew about it. It's too bad it wasn't published for mass market.

1 of 1 people found the following review helpful.
Theory and Practice (Practice)
By Robert Beveridge
Stephen King, On Writing/Secret Windows (Scribner's,
2000 and BOMC, 2000)
[originally posted 6Nov2000]

"Most of the things you find in books on writing are bull[censored for Amazon consumption]." How can you not like a book on writing that begins so endearingly? Shortly after, King makes a promise to keep the book as short as possible, and for King, he does an admirable job (it weighs in under 300 pages, a short story for this guy). Capitalizing on the publication of On Writing, Book of the Month Club (who are the behind-the-scenes orchestrators of the Stephen King Book Club) contracted with the man to release a companion volume to it called Secret Windows as well.

Much of what King writes in On Writing is simple common sense ("the adverb is not your friend..."), but some of it flies in the face of conventional wisdom. King is a situational writer as opposed to a plotter, and the vast majority of "how to write your novel in days"-style writers' manuals are written by plotters. This alone makes the book valuable to the struggling author; when everyone's told you one thing, and it doesn't work for you, hearing someone validate another way to do things is sometimes the most important thing that can happen to you. And King delivers his advice in simple, straightforward prose, providing examples when necessary (at the very end, he gives us the opening paragraphs of Blood and Smoke's "1408," both in rough and finished drafts, and it's probably the best example of revision I've seen in a how-to-write book). Good, solid stuff, probably the best I've read in recent years, since Natalie Goldberg's first two books.

But even that isn't what makes this book shine. We're all aware that much of what separates great writers from run-of-the-mill hacks is the ability to take one's own events and make mincemeat of them on the page. The first hundred pages of this volume are an encapsulated autobiography of King. It's impressionist, deadpan, as minimal as it can be to give us an idea of where all these books came from (no, he doesn't really get his ideas in Utica). And while all of King's writing is marked with a particular kind of honesty that resonates with the average reader, these hundred pages stand out. If it's possible to be more than completely honest, he's done it.

Secret Windows is a compilation. Most of it's been previously published. There are a few things here that bear re-reading, a few unpublished (and perhaps should have remained that way, such as the early stuff from his brother's homemade newspaper), and one of King's early attempts at a one-voice tale, a style he mastered in Dolores Claiborne, called "The Ballad of the Flexible Bullet." I can't remember whether this made it into Nightmares and Dreamscapes or not (can't find a full listing of N&D's contents online) [ed. note 2013: no], but if not, this story alone, about an editor's slow descent into alcoholic madness, with its catalyst a story by an already-insane writer, is worth the price of admission. It is not an easily-forgotten piece of work.

Taken together, the two make a good pair: a book on how to write and a collection of fiction, nonfiction, and interviews dealing with the craft of writing. The average non-writing Stephen King fan may be left cold, but for the writer (or the writer wannabe who's never attempted; if you liked Misery better than most King novels, you qualify), they're gold nuggets in the river.

On Writing: ****
Secret Windows: *** �

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Friday 7 November 2014

[C958.Ebook] Download PDF Headline Murder: A Crampton Of The Chronicle Mystery, by Peter Bartram

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Headline Murder: A Crampton Of The Chronicle Mystery, by Peter Bartram

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Headline Murder: A Crampton Of The Chronicle Mystery, by Peter Bartram

It's August 1962, and Colin Crampton, the Brighton Evening Chronicle's crime reporter, is desperate for a front-page story. But it's the silly season for news – and the only tip-off Crampton has is about the disappearance of the seafront's crazy-golf proprietor, Arnold Trumper. Crampton thinks the story is about as useful as a set of concrete water-wings. But when he learns that Trumper's vanishing act is linked to an unsolved murder, he scents a front-page scoop. Powerful people are determined Crampton must not discover the truth. But he is quite prepared to use every newspaper scam in the book to land his exclusive. The trouble is it's his girlfriend, feisty Australian Shirley, who too often ends up on the wrong end when a scam goes wrong. Crampton has to overcome dangers they never mentioned at journalism school before he writes his story. Headline Murder will keep you guessing – and smiling – right to the last page.

  • Sales Rank: #2434736 in Books
  • Published on: 2015-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.54" h x .60" w x 5.54" l, .0 pounds
  • Binding: Paperback
  • 257 pages

About the Author
Peter Bartram is the author of the Crampton of the Chronicle novels and short stories. He has also written 21 non-fiction books and thousands of articles for newspapers and magazines.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Exciting Read from Start to Finish
By Annette
If you like Raymond Chandler you’ll like Peter Bartram’s novel about slightly crusty and witty investigative journalist, Colin Crampton, who stumbles upon a major crime in his town of Brighton, England. Set in the 1960s, Crampton navigates old-fashioned typewriters and pay phones while digging deeper into a story that at first appears pretty harmless. The nicely woven plot intensifies and offers several surprises as Crampton puts himself in harm’s way. I especially loved some of the dry humor that makes this story shine. I’m already looking forward to the next Crampton mystery.

0 of 0 people found the following review helpful.
More Crampton of the Chronicle, please!
By Cherie Jung, Publisher, Over My Dead Body!
HEADLINE MURDER has a noir-ish feel but readers do not need to be fans of noir to enjoy the book. The author gives the readers much to enjoy both in the setting and characters as the story unfolds. Readers will immediately take to the protagonist, Colin Crampton, and will be eagerly awaiting his next investigation.

Author Peter Bartram’s breezy writing style will quickly engage readers!

0 of 0 people found the following review helpful.
funny read - but still within the crime fiction genre ...
By NM
As a big reader of crime fiction, I am always on the lookout for new novels to read. This one caught my interest as I am a fan of all things British and thought a light, funny read - but still within the crime fiction genre - would be the perfect thing to bring along on holiday. I loved the swinging 60s setting of the story and the characters that brought it all to life. Peter Bartram has a gift for wit and keeping the reader interested until the end. Bring on the next Crampton of the Chronicle novel!

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[W399.Ebook] Ebook Download The Map Reader: Theories of Mapping Practice and Cartographic RepresentationFrom Wiley

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The Map Reader: Theories of Mapping Practice and Cartographic RepresentationFrom Wiley

WINNER OF THE CANTEMIR PRIZE 2012�awarded by the Berendel Foundation

The Map Reader brings together, for the first time, classic and hard-to-find articles on mapping. This book provides a wide-ranging and coherent edited compendium of key scholarly writing about the changing nature of cartography over the last half century. The editorial selection of fifty-four theoretical and thought provoking texts demonstrates how cartography works as a powerful representational form and explores how different mapping practices have been conceptualised in particular scholarly contexts.

Themes covered include paradigms, politics, people, aesthetics and technology. Original interpretative essays set the literature into intellectual context within these themes. Excerpts are drawn from leading scholars and researchers in a range of cognate fields including: Cartography, Geography, Anthropology, Architecture, Engineering, Computer Science and Graphic Design.

The Map Reader provides a new unique single source reference to the essential literature in the cartographic field:

  • more than fifty specially edited excerpts from key, classic articles and monographs
  • critical introductions by experienced experts in the field
  • focused coverage of key mapping practices, techniques and ideas
  • a valuable resource suited to a broad spectrum of researchers and students working in cartography and GIScience, geography, the social sciences, media studies, and visual arts
  • full page colour illustrations of significant maps as provocative visual ‘think-pieces’
  • fully indexed, clearly structured and accessible ways into a fast changing field of cartographic research

Co-edited by Martin Dodge and Chris Perkins, Senior Lecturers in Human Geography in the School of Environment and Development, the University of Manchester; and Rob Kitchin, Professor of Geography, National University of Ireland, Maynooth.

  • Sales Rank: #2780860 in Books
  • Published on: 2011-06-20
  • Original language: English
  • Number of items: 2
  • Dimensions: 10.50" h x 1.30" w x 8.00" l, 1.10 pounds
  • Binding: Hardcover
  • 504 pages

Review

“The Map Reader feels like a rich investigation and compilation, adding to the literature of this relatively overlooked visual culture and bringing together in one place a valuable scholarly documentation and discussion of this important visual medium, along with some suggestion of the enormous potential for where it’s going.”� (Landscape Ecology, 1 March 2013)

"It is compulsory reading for ‘students, academics and lay readers interested in understanding the appeal and power of maps’. It deserves a wide reading audience."� (Int. J. Environment and Pollution, 1 October 2013)

"But for anyone who wants to get the most out of a map, whatever medium it is in, it is fascinating. It is a text-book for map readers, written by map-makers". (Law Society Journal, 1 October 2011)

"I highly recommend the landmark anthology The Map Reader: Theories of Mapping Practice and Cartographic Representation edited by Martin Dodge, Rob Kitchin, and Chris Perkins, to any students, researchers, and interested non-professionals in the areas of cartography, mapping technology, GIScience, social sciences, the media, the visual arts, and industry who are seeking a complete resource on the topic of map making. The articles cover every aspect of this rapidly changing field, written by leading scholars in many very diverse disciplines." (Blog Business World, 2 October 2011)

"Written as a comprehensive guide to cover all of these disciplines The Map Reader ensures that the most important cartographic ideas are made available to researchers, students and cartography enthusiast alike." (PhysOrg.com, 25 May 2011)

From the Back Cover
The Map Reader brings together, for the first time, classic and hard-to-find articles on mapping. Providing a wide-ranging and coherent edited compendium of key scholarly writing about the changing nature of cartography over the last half century. The editorial selection of fifty-five theoretical and thought provoking texts demonstrates how cartography works as a powerful representational form and explores how different mapping practices have been conceptualized in particular scholarly contexts.

Themes covered include paradigms, politics, people, aesthetics and technology. Original interpretative essays set the literature into intellectual context within these themes. Excerpts are drawn from leading scholars and researchers in a range of cognate fields including: Cartography, Geography, Anthropology, Architecture, Engineering, Computer Science and Graphic Design.

The Map Reader provides a new unique single source reference to the essential literature in the cartographic field:

  • More than fifty specially edited excerpts from key, classic articles and monographs
  • Critical introductions by experienced experts in the field
  • Focused coverage of key mapping practices, techniques and ideas
  • A valuable resource suited to a broad spectrum of researchers and students working in cartography and GIScience, geography, the social sciences, media studies, and visual arts
  • Full page colour illustrations of significant maps as provocative visual ‘think-pieces’
  • Fully indexed, clearly structured and accessible ways into a fast changing field of cartographic research

Most helpful customer reviews

1 of 1 people found the following review helpful.
'A Thousand Mappings'
By bieke cattoor
Maps to analyse, to store, to generate, to test, to represent, to amuse, to persuade, to enquire, to create...
The Map Reader opens up the 'widening and vibrant array of different kinds of mapping being employed by scholars'. Adopting a caleidoscopic take on maps and mapping, this book collects the most influential articles of the last half century and juxtaposes them to a careful selection of provocative writings, honouring the diversity and versatility of Maps and Mappings themselves.
Thorough as well as inspiring.

See all 1 customer reviews...

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Sunday 2 November 2014

[B528.Ebook] Get Free Ebook Homework: Motivation and Learning Preference

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Noticeable wear to cover and pages. May have some markings on the inside. Fast shipping. Will be shipped from US. Used books may not include companion materials.

  • Sales Rank: #8124291 in Books
  • Published on: 1600
  • Binding: Hardcover

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